DANZAHRA FESTIVAL

PRO WORKSHOPS

  • Morning dance and movement workshops, focused on the development of the knowledge of each teacher who comes to teach the workshop.
  • For whom? These workshops are aimed at students, professionals, and people with a basic previous experience in dance and movement.
  • It is important to keep in mind that each teacher will adapt to the level of the group. Taking an explorative approach to the workshops is the most advisable.

TEACHERS FROM APRIL 29 TO MAY 3, 2026

LUCAS CONDRO

Lucas Condró

Intensive Workshop in Asymmetrical-Motion

The Designed Space

In this workshop, we will explore the connection between spinal mobility and the limbs. We will examine how, from this relationship, we can generate movement in space, considering the possibility that each movement is related to a micro-displacement and a spatial design.
Moving is displacement. We will work on the idea of ​​designing in space with its rhythms, phrasing, and pauses, thinking of space and design as a dramaturgy. Dance as a collective design of an ephemeral and spontaneous space.

About Asymmetrical-Motion:
Contemporary Dance/ Asymmetrical-Motion
This movement methodology investigates, through different perspectives, the body’s agility for movement and displacement in space. It understands agility as the most efficient way to organize oneself and achieve maximum power. We will investigate the body’s natural asymmetries, primarily found in the spine, and in the relationships between the skull, rib cage, and pelvis.
We will explore the use of the limbs as an extension of the spine’s asymmetrical movement and, simultaneously, as a support for experiencing its freedom. We will examine the relationship of support, weight distribution, and structural movement to discover the inertia that arises from the interplay of forces and weights.
We will explore the possibility of perceiving space as the infinitely open, vast, and three-dimensional realm where the body moves. The work is based on learning through observation and verbalization of experience in order to collectively generate tools that are shared and explored by the entire group. Understanding the experience of dance as the enjoyment that occurs at the moment of discovery.

Lucas Condró is a dancer, choreographer, and teacher. In 1999, he was invited by the renowned choreographer David Zambrano to participate in a seminar at the SNDO (School For New Dance Development), where he studied for three years and received the title of Dance Maker.
He then pursued advanced training at the Montpellier Choreographic Center with teachers such as Mark Tompkins, Lisa Nelson, and Mathilde Monnier.
Upon returning to Argentina, he began working with choreographers Diana Szeinblum, Lucia Russo, and Natalia Tencer.
Since 2012, he has been leading his project ASYMMETRICAL-MOTION: a research project aimed at developing and systematizing his experience in the pedagogical practice of contemporary dance. In February 2015, he published the book Asymmetrical-Motion/ Notes on Pedagogy and Movement (Ed. Continta Me tienes) with Pablo Messiez. In February 2016, he published Lo singular (Ed. Continta Me tienes).

Since 2018, he has lived in Madrid, where he develops various artistic and pedagogical research projects. In 2019, he co-founded MoverMadrid, a contemporary dance festival developed in collaboration with the Cuarta Pared theater, with Poliana Lima. He has also collaborated with Poliana Lima on the pieces: Hueco; Las cosas se mueve, pero no dicen nada; and Oro Negro. Also in 2019, he created the choreography for Pablo Messiez’s production, Las canciones (Teatro Pavón Kamikaze). In 2021, he performed in Cuerpo de Baile, directed by Pablo Messiez, at the Barcelona Autumn Festival and Metropolitan Dance Festival. In June 2023, he published his third book, Asymmetrical-Motion/Clases (Ed. Continta Me tienes). Since 2025, he has been a Feldenkrais Method teacher.

He is the co-director, along with Poliana Lima, of ESPACIO-TIEMPO, a contemporary dance and performing arts center in Madrid.

CHEY JURADO

Chey Jurado

Chey Jurado began his journey as a self-taught dancer in early 2005, alongside his group of friends “ElectroduendesCrew,” influenced by his father, who was a dancer in the early days of Hip Hop culture in Spain (1984).

Over the years, he has won numerous awards on influential international platforms such as Red Bull BC ONE, Juste Debout, Battle of the Year, Open Your Mind, Red Bull Dance Your Style, WGTF?, and I Love This Dance.

In 2016, he created his first dance piece, AGUA, with the support of the Catalan distributor ROTATIVA PERFORMING ARTS. This solo work was very well received, and thanks to the support of the MASDANZA festival, he gained international visibility as a creator. Currently, with an established company, he has a catalog of original works, with Patty Hinchado as his representative and production assistant. RAÍZ, which received the first prize at the Burgos & New York competition, the second prize at the Mas Danza festival, and two other collaborative works, HITO with Akira Yoshida and SAMSARA with Javito Mario.

In the performing arts, he has collaborated on projects with companies and choreographers such as La Veronal, Roberto Olivan, Elias Aguirre, Dani Pannulo, Lokomamía, Cia Malditas Lagartijas, Jordi Vilaseca, Antonio Carmona “Ketama”, Roy Ofer “Circus du Soleil”, Rojas & Rodríguez, Taiat Dansa, Perfordance, and currently with the Belgian company Peeping Tom.

Recently, due to his versatility and career, Chey Jurado received the 2022 Ojo Crítico dance award from RTVE.

He applies this physical and performance background to his own research as a teacher. “OPPOSITE SIDE” is the name of the workshop he offers, which she teaches at festivals around the world. In addition, he has collaborated on advertising campaigns, television programs and with entities such as Heineken, Mad Cool Festival, J.B Colors, La Voz, Fama a Bailar, Melendi, Alejandro Sanz, Late Motiv Andreu Buenafuente, Makako, EcoBallution, Outlet Sevilla, among others.

MARIA CABEZA DE VACA

María Cabeza de Vaca

True Dragons

I propose a shared space, rooted in playfulness, ritual, and spontaneity, to share the joy of dance. These workshops are open to performing arts professionals and students, as well as anyone curious to explore the body’s expressive resources and creative potential through movement. Placing the body at the heart of the performance experience, we will reflect, through practice, on the body’s limits and meanings. We will journey through the spaces between the inner and outer to find ways to embody our personal imagination through movement.

The workshop offers a space to listen to the body’s deep rhythms and allow ourselves to be transformed by the transformative power of imagination. Sharing my artistic experience as a dancer and choreographer, I will offer practices and tools that have helped me develop my own expressive resources, serving this reflection and allowing us to see the body as a sounding board for life and discover its own resources of the fantastic.

The working sessions are inspired by some of the obsessions and concerns that shape my artistic practice: conquering spontaneity through the practice of spinal movement, the capacity of play to connect us with enthusiasm and instinct, the pause as a compositional tool and springboard to the unpredictable, lack of control as a place of exploration, the exploration of energetic states to find choreographic material.

TAREK RAMMO

Tarek Rammo

Panama Pictures

At the crossroads of dance and circus:

The workshop of Tarek Rammo combines dance, floor acrobatics and partner work with compositional tools. It shows how to integrate acrobatic movements into the flow of dance using an improvisational approach. The participants experience how to play with direction, weight, tension and articulation while doing acrobatic movements to feel a sense of freedom and to give intention and meaning to the movements. Tarek guides the dancers and acrobats to be fully involved in their own movement exploration while taking actively part in the context of an overall composition.

The workshop provides insight into the working method of Dutch company Panama Pictures, who is known for its performances at the crossroads of dance and circus. www.panamapictures.nl

Tarek Rammo has joined Panama Pictures in 2017 and plays an important part in the work since then. He is a former gymnast and graduate from Codarts Circus Arts in Rotterdam, The Netherlands. Tarek is a multidisciplinary circus artist specialized in aerial straps and acrobatic movement who has worked before for companies such as Cirque du Soleil, the 7 Fingers, André Gingras / DanceWorks Rotterdam and Ulrike Quade. Next to his work as a performer, Tarek is teaching at Codarts Circus Arts and giving masterclasses and lectures in the Netherlands and abroad.

CANDELA MURILLO

Candela
Murillo

Candela Murillo is a performer and visual artist. She trained at the Seville Conservatory and later completed a master’s degree at the NSCD, with an internship at Phoenix Dance Theatre. She is currently based in the Netherlands, where she has developed her career participating in various freelance projects.

She is currently a dancer with the companies Panama Pictures and DadoDans. She also works as the artistic director of Plant Human Quarterly, a botanical journal that intersects art, thought, and ecology, and directs the Danzahra International Dance Festival, based in Cádiz, Spain.

This year, Candela Murillo will lead two workshops:

1. A workshop focused on how to approach and use another body to move through space with 360° awareness, based on improvisation.

2. A workshop that explores awareness of the traces left by our movement and how material stimuli can influence and transform the way the body moves.

WORKSHOP REGISTRATION FORM

3 + 12 =

TERMS AND CONDITIONS

  1. Ser mayor de edad.
  2. Para ser parte de Danzahra III se debe transferir la cantidad exacta de la semana de talleres. Danzahra no asume el costo de las comisiones de los bancos.
  3. La inscripción a esta convocatoria indica únicamente los talleres del 29 de Abril al 3 de Mayo.
  4. Danzahra III se reserva el derecho de grabar, fotografiar y emitir las imágenes de las clases a través de los medios de comunicación y de divulgación que crea oportunos. Si alguien no estuviese de acuerdo, pueden comunicarlo de antemano mediante un email.
  5. El/la participante acepta que las fotografías y videos en los que aparezca podrán ser reproducidos, publicados y fijados en soporte impresos y/o digitales.
  6. Las fotografías y videos serán de uso exclusivo de Danzahra, con la posibilidad de compartir en redes sociales.
  7. Es responsabilidad de cada participante contar con su propio seguro de salud o accidentes. Danzahra no se hace responsable por accidentes que ocasionen daños físicos o psicológicos provocados por propia omisión, actividad o inactividad antes, durante y después de las actividades del evento.
  8. Es responsabilidad de cada participante velar por el uso adecuado de las instalaciones.
  9. Danzahra no cubre los gastos de hospedaje, alimentación y transportes internos.
  10. Danzahra no hace devoluciones de dinero, en caso de no asistir al evento.
  11. Los datos personales proporcionados en este formulario serán utilizados con fines exclusivos de planificación, logística y estadística para Danzahra.
  12. Danzahra se reserva el derecho de admisión.
  13. Cierre de la convocatoria hasta alcanzar el cupo. Aplicar tan pronto como sea posible para asegurar su lugar en el taller. También se mantendrá una lista de espera en caso de que algún participante cancele.